Click on an image to read the CCBC annotation for the title. Check earlier posts below for discussion prompts and resources! And, Read! On Wisconsin!

we all count covergastonbully



ivan the remarkable true storyarcady's goalkinda like brothers

etched in claymad pottertin star


house of purple cedarHouse of Purple Cedar by Tim Tingle. Cinco Puntos Icon_HighSchoolPress, 2014 (c2013).

In 1967, Rose is an old woman looking back on her childhood in Skullyville, Oklahoma, in 1897, in a novel that moves back and forth between Rose, her family and Choctaw community, and residents of the nearby town of Spiro. Among them is the marshall, a man who is despised by Choctaw and whites alike. His cruelty is often random, as when he strikes Amafo, Rose’s grandfather, at the train station one day. Amafo turns the other cheek, and in doing so finds allies among some of the whites in Spiro while leading his community away from confrontation. Tim Tingle writes beautifully and deeply about love and forgiveness as antidotes to violence and hatred in a novel that also doesn’t ignore hard realities. Sometimes bringing the truth into the light isn’t enough; sometimes you have to fight back with violence. This is illuminated not only through what happens to Rose and her community but also through the lives of several women in Spiro, one of them the marshall’s wife, who has endured his beatings for years. The power of family, of community and connection, and of love and compassion to transcend divides — among individuals, across cultures, between the living and the dead — is profound and hopeful in a story that is, above all, about the human heart. The tense plot unfolds through characters drawn with astonishing depth and subtlety, their actions and interactions richly revealing. Solace for Rose’s community is also found in both Christianity and in spiritual experiences imbedded in their culture, the two seamlessly reconciled in their lives.  © Cooperative Children’s Book Center

Resources from TeachingBooks.net.

Start some conversation with these discussion prompts:

  1. Decisions to perform acts of violence and nonviolence play a pivotal role in the course of the book. For example, Amafo’s response to the marshall’s attack was deliberate. Argue how this was or wasn’t an effective strategy.
  2. Explain the significance of the title, House of Purple Cedar.
  3. Find two examples of symbolism in this novel. Explain the importance of each to the narrative arc of the story or development of a character.

great greene heist001The Great Greene Heist by Varian Johnson. Arthur A. Books for Middle School AgeLevine Books / Scholastic, Inc., 2014.

When Jackson Greene learns classmate Keith Sinclair is trying to steal the election for eighth grade class president—with the help of the principal no less!—he steps up. It might not be the noblest of intentions that convinces him to get involved, but it’s not wholly selfish, either. Jackson’s friend Gaby de la Cruz is Keith’s opponent. Although they had a falling out, Gaby is still someone Jackson likes—a lot—while her twin brother, Charlie, is his best friend. And then there’s the fact that outsmarting Keith and the principal means running a con, something Jackson happens to like doing, and is very, very good at. But he can’t do it alone, so he and Charlie put together a team, each member with specific skills necessary to complete their part of a plan that involves technology, psychology, and a series of carefully crafted interactions. Varian Johnson’s entertaining tale has all the machinations of the best con games, but is set against the backdrop of a contemporary middle school. Johnson’s intentionally diverse cast of characters feels natural rather than heavy-handed in a story of humor and hijinks featuring a winning African American protagonist who, it turns out, is carrying on family tradition.  © Cooperative Children’s Book Center

Resources from TeachingBooks.net

Start some conversation with these discussion prompts:

  1. This book is a classic con or heist story. Different genre elements are present in Great Greene Heist that make it recognizable as a heist or con story. What are some things that make this book fall into the heist genre?
  2. Some passages in this book make Keith seem sympathetic. Provide some examples of this from the book. Did you ever feel sorry for him? Why or why not?
  3. Jackson is a student, a friend and a con man. What qualities does Jackson possess that makes him a good con man? What are some qualities that Jackson a good friend?
  4. Do you agree with the actions that Jackson takes to help his friend? Why or why not? Is it ever okay to break rules?

what the moon saidWhat the Moon Said by Gayle Rosengren. Penguin Icon for the Intermediate (Grades 3-5) readersGroup, 2014.

After Esther’s father loses his job in Chicago during the Depression, the family manages to buy a small farm in Wisconsin. Her immigrant parents include her warm German father and her more emotionally distant, Russian-born mother. In fact, Esther’s mother is so distant that Esther sometimes wonders if her mother loves her, especially because she seems much more affectionate with Esther’s siblings. As the family adjusts to rural life, Esther makes a good friend in Bethany, and loves her new teacher at the small school. But superstitious Ma soon forbids Esther from spending time with Bethany because of her new friend’s mole, which Esther’s mother believes is a devil’s mark. Soon Esther can’t help but blame a lot of the family hardship on her mother, especially as the Depression continues to bear down and makes their future on the farm she’s come to love uncertain. There’s an old-fashioned sensibility to this story that goes beyond its setting and time period. The storytelling itself, with several dramatic plot elements leading to revelations, has the feel of a piece from an earlier time. But if there is a sense of predictability, it comes with comfort and great satisfaction, even as Esther’s story ends happily but not in the prefect way she might have wished.  © Cooperative Children’s Book Center

Resources from TeachingBooks.net.

Start some conversation with these discussion prompts:

  1. Before reading: Do you have any superstitions?
  2. What is Esther’s life like on the farm? How is it different from her siblings?
  3. How does Ma’s background affect Esther?
  4. How is Esther different in the beginning of the story from the end of the story? How is Ma different?

The Great American Dust Bowl by Don Brown. Houghton Mifflin,great american dust bowl 2013.

“It fell across our city like a curtain of black rolled down. We thought it was our … doom.” Don Brown’s informative and affecting graphic novel look at the Dust Bowl examines its causes and effects from the perspective of both science and social history. He covers the geologic history of the Plains, and the changing ways people and animals used the land. When the grasslands were stripped to plant crops to meet the European food shortage during World War I, farmers were living high. Then prices fell, the Great Depression struck, and a drought hit. The stage was set for ecological and human disaster. Brown’s writing is straightforward and spare, at times poetic as he takes readers through the years of the Dust Bowl, sharing dramatic and painful experiences of people who lived during the devastating time. His poignant illustrations are heavily shaded in dusty tones of brown and yellow. Readers can see and feel the heat of the sun and the thickness of the dust, as well as the weight of worry, fear, and despair in the bodies and faces of people and animals alike. A final page spread discusses droughts that have taken place in the Plains since the 1930s (most recently in 2012), and offer a selected bibliography and source notes for quoted material. (MS) ©2013 Cooperative Children’s Book Center

Resources from TeachingBooks.net.

Start some conversation with these discussion prompts:

  1. What do you think the author wanted you to know about the dust bowl? What are some of the things he included in the text and the images to tell you that?
  2. How did the illustrations help tell the story?
  3. How does the graphic novel format differ from other informational text formats? What are the benefits of the graphic novel format in relaying information?

scraps bookThe Scraps Book: Notes from a Colorful Life by Primary Icon of a White-Tailed DeerLois Ehlert. Beach Lane Books, 2014.

Lois Ehlert’s creative journey began in early childhood and continues today. Here she offers an open, inviting look at some of her own work as an artist creating books for children. Page spreads dazzle with Ehlert’s colorful collage art, including images from some of her best-known books along with a brief, friendly narrative about where the idea came from and how it developed. There is a scrapbook feel to the assorted illustrations, personal photographs, and notes in an offering that is a collage both visually, and in the content that combines insight into her personal journey as an artist with information about how her art and her books take shape. Inspiration can come from everywhere. Chaos can lead to beautiful creations. This treasure trove feels like a love letter to the beauty all around us, and encourages young artists to “find your own spot to work and begin.” (MS) ©2014 Cooperative Children’s Book Center

Find resources at TeachingBooks.net

Start some conversation with these discussion prompts:

  1. Before reading: What do you like to create or make?
  2. How did the author’s parents help her to become an artist? Show examples from the text.
  3. Where does the author get ideas and materials for the picture books she writes and illustrates?
  4. What kind of art technique does the author/illustrator use? How is this described in the book in text and in images?

Viva Frida by Yuyi Morales. Photographs by Tim O’Meara. A Nealviva frida Porter Book / Roaring Brook Press, 2014.

Yuyi Morales’s playful, lush, elegant, heartfelt picture book about artist Frida Kahlo concludes with an author’s note titled “My Frida Kahlo,” which begins: “When I think of Frida Kahlo, I think of orgullo, pride. Growing up in Mexico, I wanted to know more about this woman with her mustache and unibrow. Who was this artist who had unapologetically filled her paintings with old and new symbols of Mexican culture in order to tell her own story?” The note itself is an informative and loquacious conclusion to a work that is linguistically spare, visually complex, and emotionally rich and stirring. Morales’s illustrations combine photographs of three-dimensional tableaus she created featuring hand-crafted puppets representing factual elements of Kahlo’s life, including the child-friendly details of Kahlo’s pet deer and monkey, and paintings that reference Kahlo’s own work, representing elements of her vivid creative life as expressed through her art. The bilingual text is a series of simple statements in Kahlo’s voice, which concludes, “I love / and create / and so / I live!”  © Cooperative Children’s Book Center

Resources from TeachingBooks.net

Start some conversation with these discussion prompts:

  1. Before reading: What verbs would you use to describe yourself?
  2. The author uses strong verbs to describe Frida? What do you learn about her?
  3. What do you learn about Frida from the illustrations?
  4. This book is written in both English and Spanish? Why do you think the author writes in both languages?

chengduChengdu Could Not, Would Not Fall Asleep by Icon_PreSchoolBarney Saltzberg. Disney / Hyperion, 2014.

While everyone else in the bamboo grove slumbers, a panda named Chengdu is tossing, twitching, scrunching, rolling, even hanging upside down, but no matter what he does he can’t fall asleep. His eye-popping, wide-awake visage is one of the charms of a picture book in which the black and white panda is once shown as nothing but big open eyes. He finally climbs up high in a tree and finds a perfect spot to slumber. Too bad for his brother Yuan it’s right on top of him. A witty and wonderfully paced pairing of text and illustrations will definitely charm young readers and listeners, with occasional fold-out and varied trim-size pages adding to the fun. Honor Book, 2015 Charlotte Zolotow Award  © Cooperative Children’s Book Center

Resources from TeachingBooks.net.

Early literacy activities for both books below.

It Is Night by Phyllis Rowland. Illustrated by Laura Dronzek. it is nightGreenwillow / HarperCollins, 2014.

Originally published in 1953 with illustrations by the author, an almost stream-of-conscious bedtime book is given a cozy, comforting new look with the warm, rich hues and soft, soothing, curved lines of Laura Dronzek’s art. The narrative ponders where a variety of animals and objects might sleep at night. “Where should a sleek seal rest his head? On the quiet beach of a faraway island, or safe in an island cave.” A dog in a doghouse “can keep his eye on the stars and see that they don’t bump into the moon.” Rooster and rabbit, elephant and mouse, not to mention a train and dolls “big and small” are all considered. But do any of them sleep in the places imagined? “No! They sleep in the bed of one small child … ALL OF THEM.” It’s a familiar ritual of childhood made fresh.  © Cooperative Children’s Book Center

Resources from TeachingBooks.net.

For both books:

  • Read: Find other books about plants, animals, and the solar system.
  • Talk & Write: Talk about your bedtime routine. Make a list of your bedtime routine as your child describes the routine and hang the list by your child’s bed. Encourage your child to draw a picture of each routine.
  • Sing: Sing a favorite or traditional lullaby together. For example, “Twinkle Twinkle Little Star.”
  • Play: Have your child get their favorite doll or toy ready for bed.
  • STEM: Collect twigs, stones, leaves and other natural materials. Which of these materials do you think animals would use in their habitats? Why?

Find more early literacy activities from the Youth Services Section of the Wisconsin Library Association’s 2015 Early Literacy Calendar created by Youth Services librarians across Wisconsin.

tin starTin Star by Cecil Castellucci. Roaring Brook Press, 2014.Icon_HighSchool

Teenager Tula Bane, beaten and left for dead aboard a space station in a remote part of galaxy, is now living in the station underguts, bartering to survive. Heckleck and Tournour, members of two different insect-like species, have both been kind to Tula, but she’s still incredibly lonely as the only human on board. Then the Imperium takes control of the station and Tula hears rumors that it’s putting political pressure on isolationist Earth to join it. It’s an effort apparently orchestrated by Brother Blue, the man who tried to kill her. The arrival of three more human teens on the station who may or may not be loyal to the Imperium gives Tula the opportunity she’s been looking for to plan revenge against Brother Blue, if she can get them to reveal information she needs. At the same time, they ease her loneliness as she delights in human contact and conversation, and even begins to fall in love. Cecil Castellucci’s satisfying work of science fiction has a complex political backstory, but it’s the wonderful characterizations and relationships that shine. Castellucci is adept at imagining how a wide variety of species whose cultural norms and habits differ relate to one another on a personal level, including how lack of cultural knowledge leads to misunderstanding. Tula’s survival has been dependent upon her ability to understand and communicate in a variety of ways. But as successful as she’s been, she’s failed to realize the most important thing: she has never been as alone as she thought. A novel that feels complete on its own leaves the door wide open for a sequel.  © Cooperative Children’s Book Center

Find resources at TeachingBooks.net.

Start some conversation with these discussion prompts:

  1. How are insider/outsider lines defined in this book and in what cases are they blurred?
  2. Where do Tula’s loyalties lie? How do her loyalties change throughout her experience on the space station? Cite examples from the text.
  3. Make a text-to-world connection relating the political figures and issues in Tin Star to historical or contemporary events.


etched in clayEtched in Clay: The Life of Dave, Enslaved Potter and Books for Middle School AgePoet by Andrea Cheng. Lee & Low, 2013.

Andrea Cheng examines the life of Dave the Potter (who took the name David Drake after the Civil War ended) through a verse novel that tells his powerful, poignant story of endurance, artistry, and rebellion. Cheng’s poems reveal Dave’s hunger for words and learning and self-expression, and his pain of living in slavery. He was trained by and worked for Pottersville Stoneware in Edgefield, South Carolina, where founder Abner Landrum developed unique glazes. Dave later worked for Landrum’s brother and nephew, Lewis Miles, a kind man who nonetheless did not think to free Dave. Dave endured multiple, lifelong separations from people he loved: his first wife, Eliza; his second wife, Lydia; and Lydia’s two sons, whom he had taught to read. The poems are in the voices of these and other individual’s, all listed in a cast of characters near the beginning of the volume. Cheng incorporates some of the inscriptions Dave carved into his pots into her poems, and the novel as a whole gives a context for those words, showing them as a form of rebellion. Lovely, occasional black-and-white woodcut prints punctuate a work that includes back matter with more information on Dave and his poems and pottery in Edgefield, South Carolina. Cheng talks about her interest in Dave in an author’s note that precedes her list of sources. (MS) ©2013 Cooperative Children’s Book Center

Close reading and teacher’s guides as well as other resources available from TeachingBooks.net

Start some conversation with these discussion prompts:

  1. Why do you think the author chose to use various points of view to tell Dave’s story? What affect do the different points of view have on the reader’s understanding of the story and Dave’s life?
  2. The author also used poetry to tell Dave’s story. Why do you think the author chose this format? Did you find it effective in relaying information, developing characters, telling a story? Why or why not?
  3. How did Dave rebel against slavery while still remaining a slave? How does the author show this? What risks did Dave take in creating his art? Cite examples for the story that show why he took these risks?
  4. In what way is Dave’s story part of the story of the struggle for Civil Rights?

The Mad Potter: George E. Ohr, Eccentric Genius by Jan mad potterGreenberg and Sandra Jordan. A Neal Porter Book / Roaring Brook Press, 2013.

The folded shapes and crenellated forms created by potter George E. Ohr may not look that distinctive now, but the striking pots he shaped were like nothing else seen in the late 1800s. And they were largely unheralded at the time. But Ohr was more than the genius he knew himself to be; he was a personality and a showman in Biloxi, Mississippi, where he had his potter’s studio. But beneath all his dazzle was incredible talent: He spun out pots and pitchers and vases and vessels with twists and turns that were sometimes quirky and playful and sometimes, simply, strikingly beautiful. He experimented with glazes. And he thrived on his own eccentricity (although his family did not). Jan Greenberg and Sandra Jordan provide a lively introduction to this American artist who was all but undiscovered until the final decades of the twentieth century, long after his death. Their final chapter shows his influence on contemporary pottery, and even contemporary architecture—a museum dedicated to Ohr designed by Frank Gehry was inspired by his forms. Detailed source notes follow a primer on “How to Look at a Pot.”  © Cooperative Children’s Book Center

Lesson plans and teacher’s ideas and other resources for The Mad Potter available at TeachingBooks.net.

Start some conversation with these discussion prompts:

  1. Do you think George was unrealistic for continuing to make pottery despite the fact that no one bought it? Why?
  2. How does George’s pottery reflect his personality? Cite examples from the book.
  3. In George’s time, fairs were a place that people visited to discover and explore new ideas and inventions? What fills that role today?

arcady's goalArcady’s Goal by Eugene Yelchin. Henry Holt, 2014.Icon for the Intermediate (Grades 3-5) readers

Young Arcady is living in an orphanage in the Soviet Union in 1950, and soccer is his answer for everything. When Ivan Ivanyvich adopts him, Arcady assumes the man must be a soccer coach. In truth, Ivan is simply a sad, lonely widower trying to fulfill a promise by adopting a child. He is patient, loving, and occasionally annoyed, but Arcady is so convinced he’s a coach that Ivan finally plays along. He forms a team, he tries to coach Arcady and the other boys, and he fails. Then comes word that the Red Army soccer team is holding tryouts, and Arcady is determined to attend. Eugene Yelchin’s novel is about a boy and a man who are learning to become a family. The disconnect between Ivan’s understanding of this and Arcady’s absolute blindness to it is both funny and tender. Arcady first calls the Ivan “Coach,” and, when he proves to be no coach, Ivan Ivanyvich. When Arcady, who is also learning that it’s safe to feel, and that love can be unconditional, finally calls him “Dad” it feels like something far sweeter than victory. Occasional black-and-white illustrations by the author offer additional moments of poignancy in a story set against the backdrop of Stalinism, with the fear under which so many lived occasionally bubbling up to the surface.  © Cooperative Children’s Book Center

Start some conversation with these discussion prompts:

  1. Before reading: What makes a family?
  2. This story takes place in Communist Soviet Union in the 1950’s. How does this setting help explain the characters’ actions?
  3. Why does Arcady believe Ivan is a soccer coach? What makes Arcady believe this?
  4. How does the author show that Arcady is learning to trust Ivan? What causes Ivan to open up to Arcady?

Teaching guide and more from TeachingBooks.net.

Kinda Like Brothers by Coe Booth. Scholastic Press, 2014.kinda like brothers

Eleven-year-old Jarrett and twelve-year-old Kevon are thrown together when Jarrett’s mom becomes a temporary foster parent to Kevon and his two-year-old sister. Jarrett is sometimes resentful of how much time his mom spends taking care of other children, but they’re usually babies and toddlers that he genuinely likes. This is different. Kevon is cool in a way Jarrett isn’t, inviting easy admiration from other kids. In Jarrett’s mind, that makes Kevon a potential threat socially, not to mention someone with whom he has to share his room. Meanwhile Kevon resents the implication that he can’t care for his sister—a responsibility he’s used to–and worries about his mentally ill dad. He has no time for Jarrett’s jealousy. Author Coe Booth’s characters are likable, genuine, and flawed in all the ways that make us human. Adults and kids alike in her story are well-rounded and wonderfully real. The two boys’ have good hearts but their treatment of each other ranges from bright moments of generosity to indifference to cruelty. The larger community—from Jarrett’s mom and her boyfriend to teachers at school and adults at the community center–strives to make a difference in the lives of these boys and other children, preparing them for a world that is not always fair or just. But for Jarrett and Kevon to make peace with one another they must let go of anger and hurt, and acknowledge the bond that has developed between them in spite—or because—of everything.  © Cooperative Children’s Book Center

Start some conversation with these discussion prompts:

  1. What makes Jarrett and Kevon kind of like brothers?
  2. How did the author use foreshadowing in the narrative? Cite examples.
  3. How do Jarrett’s feelings about Kevon change? At what point in the story, did you notice these changes?
  4. How would this story be different if told from Kevon’s perspective? What makes you think this?
  5. What role does community play in this story?

Discussion questions, excerpts from book and audiobook, and other resources from TeachingBooks.net.

bullyBully by Laura Vaccaro Seeger.  A Neal Porter BookPrimary Icon of a White-Tailed Deer/ Roaring Brook Press, 2013.

Not a bully but a bull takes center stage in Laura Vaccaro Seeger’s visually eloquent look at name-calling and insults. “Go away!” a big bull tells a smaller one, the rejection unmistakable on the small bull’s face. When the small bull is then approached by a group of animals inviting him to play, he puffs himself up and says, “No!” But he doesn’t stop there. He calls the chicken a chicken. He calls the turtle a slow poke. He calls the pig a pig. His anger intensifies each time, and even though the words at face value are generally factual (a chicken is a chicken and a pig is a pig, after all), intent is everything here. When a billy goat counters with a name of his own for the bull, everything changes. “Bully!” Suddenly the bull, which had been growing larger with each insult he hurled, deflates. Despite its seemingly obvious message, Seeger’s book is leaves plenty of space for readers of the words and pictures to observe, reflect upon, and discuss the characters’ thoughts, feelings, and actions. The spare text is comprised only of the words the animals exchange, while the bold illustrations are simple in composition but complex in terms of gesture and feeling. (MS) ©2013 Cooperative Children’s Book Center

Teaching ideas and guides, book trailer, and author interviews for Bully at TeachingBooks.net.

Start some conversation with these discussion prompts:

  1. Why do you think the bull picks on the other animals? Which animal makes the bull change?
  2. What does the bull say to insult the animals? How do these words relate to the specific animal being insulted? How are these words insulting and not insulting to the animals?
  3. Why do you think the illustrator shows the bull growing larger with each animal it teases?

Ivan: The Remarkable True Story of the Shopping Mall Gorilla byivan the remarkable true story Katherine Applegate. Illustrated by G. Brian Karas. Clarion, 2014.

“In leafy calm, in gentle arms, a gorilla’s life begins.” The baby gorilla learned as he played in the tropical forest of central Africa. He learned, too, by watching and listening to his mother and his father and other gorillas. But he didn’t learn about humans until he was captured by poachers and shipped in a crate with another baby gorilla to the United States. “A man who owned a shopping mall had ordered and paid for them, like a couple of pizzas, like a pair of shoes.” They were given names in a contest: Burma and Ivan. Then Burma died and Ivan was alone. He learned how to do things humans do—hold babies, sleep in a bed—but not the things that gorillas do. Eventually, he was too big to do anything but live a cage at the mall, with a TV, some art supplies, and a tire. After many years, people began to get angry on Ivan’s behalf. After twenty-seven years in a cage, he was finally moved, to Zoo Atlanta, a safe haven where he was released into the open air again. “In leafy calm, in gentle arms, a gorilla’s life begins again.” Katherine Applegate tells the story of the gorilla that inspired her Newbery-award-winning The One and Only Ivan in this lyrical and moving picture book tenderly illustrated by G. Brian Karas. A two-page photo essay at story’s end tells more about Ivan.  © Cooperative Children’s Book Center

Teaching guides and a dedicated website for Ivan available through TeachingBooks.net.

Start some conversation with these discussion prompts:

  1. Before reading: How would you feel if you had to live in a shopping mall?
  2. What are some differences between Ivan’s life in the jungle and in captivity?
  3. How do the author and illustrator show you how Ivan feels throughout the story?
  4. Why do you think the shopping center owner let Ivan leave? What in the text and illustrations shows you this?

gastonGaston by Kelly DiPucchio.  Illustrated by ChristianIcon_PreSchool Robinson.  Atheneum, 2014.

Mrs. Poodle is the proud parent of Fi-Fi, Foo-Foo, Ooh-La-La, and Gaston. The first three are spitting images of their mother. And Gaston — well, he clearly comes from different stock. Fi-Fi, Foo-Foo, Ooh-La-La are poofy and puffy and the size of teacups, while Gaston is solid and stocky and as big as a teapot. But if being dainty and delicate and neat like their mother doesn’t come as easily to Gaston, he always “worked the hardest, practiced the longest, and smiled the biggest.” Then the family meets Rocky, Ricky, and Bruno, three stocky, solid bulldog pups, and their poofy, puffy sister, Antoinette. “It seems there’s been a terrible mistake,” says Mrs. Bulldog. And so the two puppies trade places. The problem is, “Antoinette did not like anything proper or precious or pink.” And Gaston didn’t like anything “brutish or brawny or brown.” Kelly DiPuccio’s delightful romp gets even better as the pups return to their original families, and eventually have pups of their own who are encouraged to be whatever they want to be. It’s a tongue-in-cheek look at nature versus nurture, but also an affirmation of being true to oneself.  © Cooperative Children’s Book Center

Resources from TeachingBooks.net.

Engage children with these early literacy activities:

  • Talk: Talk about manners. What are examples of good manners? “Oui” is the French word for yes. What other ways can you say “yes”?
  • Write: Draw a map of your home and label the different rooms.
  • Play: Play a matching game or game of memory.
  • STEM:Challenge your senses by comparing and contrasting different textures. Look at the illustrations in the book. How are the dogs the same and how are they different?

We All Count: A Book of Cree Numbers by Julie Flett. Native Northwest, 2014.we all count cover

Read a review by Debbie Reese from her blog, American Indians in Children’s Literature.

Check out this book trailer from the iSchool at The University of British Columbia.

Resources from TeachingBooks.net.

Engage children with these early literacy activities:

  • Read: Find other books about the animals shown in this book.
  • Talk: What languages do you speak? Who are the people in your family? Do you have cousins, aunts, uncles?
  • STEM: Point and count as your share the book. Count to 10 with your child.

Find more early literacy activities from the Youth Services Section of the Wisconsin Library Association’s 2015 Early Literacy Calendar created by Youth Services librarians across Wisconsin.

Check out our posters for this year’s Read On Wisconsin reading program! Please feel free to download these posters for printing and sharing in your library as well as for use in social media, websites, and other media! Find downloadables below.

Read On Wisconsin poster of Michala Johnson with Kwame Alexander's The Crossover


Thanks to Badgers Give Back, the University of Wisconsin Athletics and the Men’s and Women’s Basketball teams we have two excellent reading ambassadors in our posters: Michala Johnson from the UW Women’s Basketball team and Wisconsin high school basketball stand-out, Zak Showalter of the UW Men’s Basketball team. Of course, Michala and Zak are enjoyingRead On Wisconsin poster of Zak Showalter with Jason Chin's Gravity two of our fabulous Read On Wisconsin titles in the posters.


Multi-award winner Kwame Alexander’s The Crossover (Houghton, Mifflin, Harcourt, 2014) and Jason Chin’s Gravity (Roaring Brook Press, 2014). Fitting books for basketball players, don’t you think?!

A big thank you to Anna Lewis, director of MERIT, and photographer, John Sable, generously photographed and designed the posters.



Michala Johnson with The Crossover 8.5×11 pdf

Michala Johnson with The Crossover 8.5×11 jpeg

Michala Johnson with The Crossover 11×17 pdf

Michala Johnson with The Crossover 11×17 jpeg

Zak Showalter with Gravity 8.5×11 pdf

Zak Showalter with Gravity 8.5×11 jpeg

Zak Showalter with Gravity 11×17 pdf

Zak Showalter with Gravity 11×17 jpeg


Please read and follow our Terms of Use below for this year’s ROW posters.

Terms of Use:

Permitted Uses of the 2015 Read On Wisconsin Poster:

  • Use as printed promotional material distributed to Wisconsin students, educators, librarians and library patrons.
  • Use as digital promotional material on school and library websites, social media sites, and video screens in schools and libraries in Wisconsin.

Prohibited or Restricted Uses of the 2015 Read On Wisconsin Poster:

  • No alteration other than changing the size of the poster is permitted.