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Find out more about this month’s titles by clicking a cover image below!

OCTOBER (1)
Riding Chance by Christine Kendall. Scholastic Press, 2016 Since his mom died, it’s been hard for Troy, 13, to stay on an Read more.
OCTOBER (2)
Wolf Howl by Lauren Wolk. Dutton Books for Young Readers, 2016 Growing up in the shadows cast by two world wars, Read more.
OCTOBER (1)
When We Were Alone by David A. Robertson. Illustrated by Julie Flett. Highwater Press, 2016 A young Cree girl gardening Read more.
OCTOBER (2)
Little Cat’s Luck by Marion Dane Bauer. Illustrated by Jennifer A. Bell. Simon & Schuster, 2016 A small calico cat, Read more.
OCTOBER
Burn Baby Burn by Meg Medina. Candlewick Press, 2016 Nora López is finishing high school uncertain about the future. Encouraged Read more.
OCTOBER (1)
In the Footsteps of Crazy Horse by Joseph Marshall. Amulet/Abrams, 2015 Jimmy McLean is self-conscious about his blue eyes, fair Read more.
OCTOBER (2)
I Am Not a Number by Jenny Kay Dupuis and Kathy Kacer. Illustrated by Gillian Newland. Second Story Press, 2016 Read more.
OCTOBER (1)
My Heart Fills with Happiness by Monique Gray Smith.  Illustrated by Julie Flett. Orca, 2016 “My heart fills with happiness Read more.
OCTOBER (2)
Good Night, Bat! Good Morning, Squirrel! by Paul Meisel. Boyds Mills Press / Highlights, 2016 When Bat loses his home, Read more.

Browse through all of the titles for September below and click on a cover image below to find out more about the book, including annotation, discussion questions, and link to TeachingBook.net curated resources.

SEPTEMBER
It Ain’t So Awful, Falafel by Firoozeh Dumas. Clarion, 2016 Zomorod and her parents are in the United States for her Read more.
SEPTEMBER (1)
School’s First Day of School by Adam Rex. Illustrated by Christian Robinson. A Neal Porter Book / Roaring Book Press, Read more.
SEPTEMBER (2)
Excellent Ed by Stacy McAnulty. Illustrated by Julia Sarcone-Roach. Alfred A. Knopf, 2016 “All of the Ellis children were allowed Read more.
SEPTEMBER
March: The Trilogy by John Lewis and Andrew Aydin. Illustrated by Nate Powell. Top Shelf, 2013-2016 March: Book Three The Read more.
SEPTEMBER (1)
Juana & Lucas by Juana Medina. Candlewick Press, 2016 Juana is a little girl living in Bogotá, Colombia. Lucas is Read more.
SEPTEMBER (2)
Book Uncle and Me by Uma Krishnaswami. Illustrated by Julianna Swaney. Groundwood, 2016 Nine-year-old Yasmin visits Book Uncle’s Lending Library, Read more.
SEPTEMBER (1)
We Sang You Home by Richard Van Camp. Illustrated by Julie Flett. Orca, 2016 “ We sang you from a Read more.
SEPTEMBER (2)
Rudas: Niño’s Horrendous Hermanitas by Yuyi Morales. A Neal Porter Book / Roaring Brook Press, 2016 Niño’s back and this Read more.

Bookmarks! An easier, quicker way to share ROW titles with others!

This year we are creating digital bookmarks that you can download, print and distribute or you can use them on screens in your library or school.

Bookmarks for September titles in each age level group are shown above. Click on the link below for printable pdfs  (each pdf includes a back side listing titles for the month at all levels). Look for October through May bookmarks throughout the year, here and on our social media accounts.

The bookmarks contains all of the ROW September 2017 titles for all age level groups in one handy place. Print and use as a bookmark or pin or tweet the bookmark to share our September titles with others. Again, check back for October to May bookmarks!

Contact us if you need further help with ROW bookmarks!

Sep_Bookmark_Robin.pdf

September_Bookmark_Deer

Sep_Bookmark_Muskie.pdf

September_Boomark_Maple

September_Bookmark_Badger

MAY (2)

May 10th, 2017 | Posted by etownsend in 2017-2018 | Intermediate (Grades 3-5) | 2017-2018 Intermediate | May - (Comments Off on MAY (2))

One Half from the East by Nadia Hashimi. HarperCollins, 2016

After Obayda’s family moves from Kabul to the village where her father grew up, the 10-year-old’s aunt suggests she become a bacha posh—a girl who passes as a boy—to give her family the advantage of a son. Obayda’s parents reluctantly agree. Obayda, now Obayd, likes being a girl, and doesn’t know how to move through the world with a boy’s swagger and certainty. Befriended by Rashid, an older bacha posh, Obayd soon is relishing the freedoms and privilege her older sisters do not enjoy, even in their progressive family. Obayd does things as a boy she never would have considered before, discovering a different kind of action and agency as she tries to help her father recover from injuries he suffered in a Kabul explosion. But there is nothing she can do to help Rashid(a) when her friend’s time as a bacha posh abruptly ends when she’s married off to the village war lord. A fascinating, swiftly paced, story firmly grounded in Obayd(a)’s perspective and experience makes clear gender has nothing to do with her physical or intellectual ability, only with how those abilities are perceived in a society where males are privileged. The book is not about gender identity (although Rashid references women she knows of who remained bacha posh or continued to pose as men their entire lives) but about how power is proscribed based on gender. These are big ideas, yet Obayda’s voice feels childlike and true. An author’s note provides additional information about bacha posh and context for the story. ©2016 Cooperative Children’s Book Center

Start some conversation with these discussion prompts:

  1. Why does Obayda/Obayd feel it iss so much better to be a boy? How do other family members feel?
  2. Why would/does the practice of bacha posh exist?
  3. How does the experience of being a bacha posh empower Obayda and how does she use these lessons to empower others?

MAY (1)

May 10th, 2017 | Posted by etownsend in 2017-2018 | Intermediate (Grades 3-5) | 2017-2018 Intermediate | May - (Comments Off on MAY (1))

Garvey’s Choice by Nikki Grimes. WordSong / Highlights, 2016

Garvey is often teased at school for his weight, while his father’s disapproval weighs heavily on him at home. “‘Why can’t Garvey be / like his sister?’ I heard Dad / ask when I was eight. Mom said, / ‘That’s the wrong question. / Ask Garvey what interests him.’” Unlike his sister, Garvey could not care less about sports. But he loves to read, especially science fiction. He also loves music, and often hums, or sings alone at home, but has never considered trying out for middle school Chorus. It’s his best—and only—friend Joe who encourages him to do so. In Chorus, Garvey finds acceptance, and a second friend, Manny. Garvey shines when he sings, and it’s no surprise that his mom and sister are proud of him. But Garvey discovers singing is a source of surprising pride for a dad who, he learns, once sang in a band. A quietly triumphant novel told through Japanese Tanka poems (explained in an author’s note) follows an African American boy gaining confidence and finding connection doing something he loves. © Cooperative Children’s Book Center

Start some conversation with these discussion prompts:

  1. Do you think the poetry makes this story easier or more difficult to read? What do you think are the benefits of writing and reading a story-in-verse? How do you think the book would be different if it were not told in verse?
  2. How do Garvey and Joe (and Manny) keep their friendship strong?
  3. How do Garvey’s friends and family shape him, and how does Garvey shape them?

APRIL (2)

May 10th, 2017 | Posted by etownsend in 2017-2018 | Intermediate (Grades 3-5) | 2017-2018 Intermediate | April - (Comments Off on APRIL (2))

Wet Cement: A Mix of Concrete Poems by Bob Raczka. Roaring Brook Press, 2016

“I like to think of poems as word paintings. A poet uses words like colors to paint pictures inside your head. In concrete poems, or shape poems, the words also paint pictures on the page.” A concise definition of concrete poetry introduces a collection of 21 elegantly simple, clever concrete poems. Even the poem’s single-word titles are playfully apt in their arrangement of individual letters, while the poems themselves offer further visual delight in describing the concept or object of the title. If the first 20 poems don’t also inspire young readers to try writing poems of their own, the final poem, “PoeTRY,” is a direct invitation, and appears on the page as an inverted pyramid: “poetry is about taking away the words you don’t need / poetry is taking way words you don’t need / poetry is words you need / poetry is words / try.” © Cooperative Children’s Book Center

Start some conversation with these discussion prompts:

  1. Which poem do you like the best? Why?
  2. How do you think the form of a poem impacts its message?
  3. Where else have you seen concrete poetry?

APRIL (1)

May 10th, 2017 | Posted by etownsend in 2017-2018 | Intermediate (Grades 3-5) | 2017-2018 Intermediate | April - (Comments Off on APRIL (1))

Ada Lovelace, Poet of Science: The First Computer Programmer by Diane Stanley. Illustrated by Jessie Hartland. Simon & Schuster, 2016

Born in 1815, Ada Lovelace was the daughter of a poet father (Lord Byron) and a mother (Lady Byron) who nurtured her curiosity in math, science and technology. Ada loved both the arts and sciences. When her friend Charles Babbage asked for Ada’s help in explaining what the “Analytical Engine” he designed could do if it were built, Ada “had the vision to see, better even than Babbage himself, how much more a computer could do besides just processing numbers.” Ada took on the task of explaining how the machine’s ability to function required mathematical operations be converted into digital format, or code, that it could understand. In other words, she pioneered programming. This engaging, whimsical look at Ada’s brief life (she died at 36) and her extraordinary accomplishment in writing what is considered the first computer program shows that both knowledge and imagination are necessary for advances in technology and science, and that Ada embodied both. An author’s note tells more about Ada’s Notes and their impact, and acknowledges some have challenged Ada’s authorship (an idea Stanley refutes). A timeline, selected bibliography and glossary are also included in a volume set against illustrations that are blithe but never make light of Ada or her work. ©2016 Cooperative Children’s Book Center

Start some conversation with these discussion prompts:

  1. How do you think this story would have been different if Ada was a man?
  2. How do imagination and science work together in Ada’s life? Can you think of other examples of how imagination and science work together?
  3. Read the “Author’s Notes” and “Controversy”. Why have most people never heard of Ada Lovelace?

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MARCH (2)

May 10th, 2017 | Posted by etownsend in 2017-2018 | Intermediate (Grades 3-5) | 2017-2018 Intermediate | March - (Comments Off on MARCH (2))

Giant Squid by Candace Fleming. Illustrated by Eric Rohmann. A Neal Porter Book / Roaring Brook Press, 2016

Giant squids lives so deep in the ocean that few have ever been seen. Scientists have had to piece together a complete picture based on just parts of the creatures that have been found, mostly inside sperm whales caught by fisherman. Candace Fleming’s haunting narrative captures the mystery and the majesty of this amazing animal, once thought to be a sea monster. The moody realistic illustrations create a strong sense of being deep undersea, and include a stunning double-fold-out page showing a giant squid reemerging from the shadows of the murky ink it has shot to protect itself from a barracuda. An author’s note provides more information, including fascinating tidbits such as the fact that there are more photographs of Mars than of giant squid. Honor Book, 2017 Charlotte Zolotow Award ©2017 Cooperative Children’s Book Center

Start some conversation with these discussion prompts:

  1. How does the illustrator keep the squid mysterious?
  2. What did you learn about the giant squid? What do you still want to know?
  3. Look at the diagram at the end. List three adaptations of the giant squid.

MARCH (1)

May 10th, 2017 | Posted by etownsend in 2017-2018 | Intermediate (Grades 3-5) | 2017-2018 Intermediate | March - (Comments Off on MARCH (1))

When the Sea Turned to Silver by Grace Lin. Little, Brown, 2016

A historical fantasy weaves retellings of traditional Chinese legends into the story of a girl and boy, Pinmei and Yishan, searching for the Luminous Stone That Lights the Night. The new emperor kidnapped Pinmei’s grandmother, the Storyteller, and Pinmei wants to find the stone and offer it in exchange. On their journey they meet those who’ve already faced loss at the hands of the emperor, who is conscripting men and boys to build a vast Wall. At first hesitant to share the stories she’s grown up hearing from her grandmother, stories she knows like her own heart, shy Pinmei becomes a storyteller in her own right as they travel. Visually the legends are set apart with a distinct font, but there is satisfaction in the way they are also woven into the fabric of Pinmei and Yishan’s quest, even offering clues: Not everyone Pinmei and Yishan meet is who and what they seem. There is also delight in how this story connects to the two earlier books in the cycle, Where the Mountain Meets the Moon and Starry River of the Sky, although it, like the others, stands on its own. Exquisite book- making, including full-color plates and color accents on chapter headings, add to the pleasure of this enticing volume. © Cooperative Children’s Book Center

Start some conversation with these discussion prompts:

  1. What examples of foreshadowing can you find in the story?
  2. What makes storytelling so valuable?
  3. What folklore do you recognize in the novel?

FEBRUARY (2)

May 10th, 2017 | Posted by etownsend in 2017-2018 | Intermediate (Grades 3-5) | 2017-2018 Intermediate | February - (Comments Off on FEBRUARY (2))

Some Writer! The Story of E. B. White by Melissa Sweet. Afterword by Martha White. Houghton Mifflin Harcourt, 2016

Elwyn Brooks (E. B.) White, known to family and friends from early adulthood on as Andy, was shy and often anxious throughout his life. But with a pen in his hand, or a typewriter in front of him, he was entertaining and eloquent. Readers who know him as the author of Stuart Little, Charlotte’s Web, and The Trumpet of the Swan will relish the stories here about those books. They will also love discovering White the young adventurer, White the amateur naturalist and avid outdoorsperson, White the urbane journalist, White the opinionated commentator and essayist and defender of democracy, White the humorist, White the family man, White the farmer, White the literary stylist and master of clarity, and much more. Author/illustrator Melissa Sweet brilliantly distills these qualities into an appealing, accessible portrait of White in a book that blends original watercolors, photographs, and collage with a clear (White would approve!) and engaging substantial narrative that integrates many quotes from White’s professional and personal writing. The gorgeous book design offers a sense of effortless interplay between the visual elements and text. A timeline, ample citations and source material, an author’s note and an afterword from writer Martha White about her grandfather and this book all add to a work that will bring delight to, and shows such respect for, young readers. ©2016 Cooperative Children’s Book Center

Start some conversation with these discussion prompts:

  1. What makes the style of this biography unique?
  2. How do the illustrations and text work together or separately to tell the reader about E.B. White, his life, and his writing?
  3. What kind of child was E.B. White? What were some of his experiences, interests and/or fears?
  4. What do you notice about his writing and revision process (pages 87 to 91)? How did this influence his writing as an adult?

FEBRUARY (1)

May 10th, 2017 | Posted by etownsend in 2017-2018 | Intermediate (Grades 3-5) | 2017-2018 Intermediate | February - (Comments Off on FEBRUARY (1))

Catching a Storyfish by Janice N. Harrington. WordSong / Highlights, 2016

Katheren, called Keet by her family—short for Parakeet, because she never stops talking—loves telling stories. But when her African American family moves from Alabama to the north and she’s teased at her new school for her southern accent, she stops talking in class. She makes a new friend in Allegra, who lives next door and who Keet nicknames Allie-gator, and continues to tell stories at home, but remains quiet at school. When her grandpa has a stroke and seems lost, Keet tells him a story every day, willing him to come back. She misses him, and she needs his support, faced with the terror of giving a “Dream Day” oral report. “My hands are grasshoppers / my heart is a kangaroo / my lungs are too small / my throat is a desert / my tongue … / where’s my tongue?” After seven weeks of silence the words come pouring out. “My voice is all the places I’ve been / and all the stories I’ve heard. / It’s Grandpa, Grandma, Mama, Daddy, / and Nose. It’s my uncles, aunties, / and my hundred-hundred cousins.” Lovely characterizations, language, and word play propel a story about family, friendship, and the power of story to hold and express a heart. A poetry glossary defines the different types of poems that comprise the novel. © Cooperative Children’s Book Center

Start some conversation with these discussion prompts:

  1. “Knowing someone’s story is one way to put an end to a lot of trouble in the world.” (pg. 152). What does that quote mean to you?
  2. Relationships are very important in this story. How do they help Keet find her voice again?
  3. Use the Poetry Glossary on pg. 219 to find out more about different types of poetry. What type of poetry would you use to tell your story?

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JANUARY (2)

May 10th, 2017 | Posted by etownsend in 2017-2018 | Intermediate (Grades 3-5) | 2017-2018 Intermediate | January - (Comments Off on JANUARY (2))

Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life by Ashley Bryan. A Caitlyn Dlouhy Book / Atheneum, 2016

From historical documents he acquired, Ashley Bryan gives breath and life to 11 enslaved individuals listed on the Fairchilds Estate Appraisement of 1828. The document identifies most of them by name, and as boy, girl, woman, or man, along with their “value.” The cold, brutal reality of a price attached to a human life is at the foundation of this work. But in imagining these individuals’ histories, daily lives, hopes, and dreams, Bryan defies that erasure of human- ness. For each person, he has created two poems and two paintings. The first poem/painting pair is a sober portrait, set against fragments of documents related to slavery, alongside a poem detailing elements of their lives and histories. The second poem/painting pair is a “dream” poem, and a vibrant, often joyful scene. In “Bacus dreams,” the blacksmith tells how every strike of his hammer against hot metal is an outlet for his anger, a blow for justice. In “Charlotte dreams,” she speaks of her artistry as a weaver, a means of self-discovery. In both these dream poems the speakers note the distance and difference between how their owners see them, and who they are. Across this extraordinary work, it is not only a sense of individual lives that emerge, but also of a community of individuals caring for one another. An author’s note includes a reproduction of the estate appraisal, which every word in this work defies. © Cooperative Children’s Book Center

Start some conversation with these discussion prompts:

  1. Which person stands out to you the most? Why?
  2. Why does the author feel it was important to create stories and dreams for the people on a receipt?
  3. What do you notice about the illustrations on each page?
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